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English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France.
Ahmed the Philosopher presents its comic hero, the "treacherous servant" Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "short play" or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.
- Sales Rank: #1126862 in Books
- Published on: 2014-04-29
- Original language: French
- Number of items: 1
- Dimensions: 8.90" h x .50" w x 5.90" l, .75 pounds
- Binding: Paperback
- 216 pages
Review
This is a terrific translation of an intriguing play. In it, Badiou translates the most fundamental elements of his philosophy, including his critique of multiculturalism, his theory of the event, and his ruminations on love, into a vivid, dramatic form. The text makes an excellent introduction to Badiou.
(Martin Puchner, author of The Drama of Ideas: Platonic Provocations in Theater and Philosophy)Joseph Litvak's translation of Ahmed the Philosopher is smart, eloquent, and truly a delight to read. The play is a timely work, addressing questions of great political and social seriousness and contemporary relevance with an ironic yet never bitter eye.
(Kenneth Reinhard, director, UCLA Program in Experimental Critical Theory)With Alain Badiou's acclaimed Ahmed the Philosopher now available in this expert English translation, a new public will discover what many in the Francophone world already knew: Badiou, premier theorist of the politics of the subject and the logics of worlds, is also a brilliant playwright! A 'red' Moli�re by way of Aristophanes who has invented an experimental language that combines slang and philosophical concepts in a new theatrical idiom.
(Emily Apter, New York University)An outline of philosophy as a series of commedia dell'arte lazzi, Badiou audaciously stages his thought under the theatrical cover of the improvisations of Ahmed, a philosopher, punster, and thinker from the banlieux of Paris. These skits – slapstick, profound, scatological – insist on the political significance of Badiou's thought even at its most abstract. Joseph Litvak deftly translates these Brechtian fables into an American idiom without surrendering the peculiarities of the French context to which, as Litvak's excellent introduction and notes suggest, they very much belong. Richly stage-worthy, intellectually provocative, and at times as funny as Harry Frankfurt – really the only comparison among contemporary philosophers who comes to mind – this volume is also perhaps the best introduction to Badiou's thought available in English.
(Martin Harries, University of California, Irvine, author of Forgetting Lot's Wife)Badiou's plays offer the Anglophone world not only theatrical opportunities to produce Badiou's work in English, but also ― and this is especially the case for Ahmed the Philosopher ― provocative pedagogical tools for bringing an experiment in 'philosophical joy' into the university classroom.
(Ethan Philbrick TDR: The Drama Review) About the Author
Alain Badiou is a philosopher, playwright, novelist, political activist, and professor emeritus at the �cole normale sup�rieure in Paris. He has published many philosophical works, including Being and Event and Logics of Worlds, as well as the play Incident at Antioch: A Tragedy in Three Acts.
Joseph Litvak is professor of English at Tufts University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Full of humor and fun. Many traditional philosophical concepts are shed new light
By Freigeist
This is philosophy to be staged theatrically. This is to say, this is philosophy to be performed. Full of humor and fun. Many traditional philosophical concepts are shed new light. Inherent significance of these concepts is uprooted. As the sub-title suggests, this is philosophy (actually, philosophies) for children. But this is in the sense that everyone of us should become children again by taking a fresh look on these things. Each play lasts for a few pages only and thus reading them is like watching cartoon episodes. I wish that I can watch these plays live. I further wish that parents will tell these stories to their children, just to let them know that (as the author suggests) philosophy should be full of joy, and to do philosophy is to separate oneself from oneself, in other words, to transcend oneself.
0 of 0 people found the following review helpful.
An absolute joy
By Daniel Erickson
Playwrights, actors, philosophers, teachers, and most importantly children should all read this text as soon as they can. It is so immense, so ceaselessly intense, and constantly hilarious. Badiou approaches philosophy as a necessary activity and one of the most tiring of activities available to human beings, but he never makes it less than joyful. Just as shouting dreams and glories to the heavens all day long will tire out your voice, this work of the laughing philosopher who pulls you along and makes you laugh until you think (and vice versa) makes the reader tired in the most important ways. Read these plays. Hear these plays. But always, always enjoy them.
0 of 0 people found the following review helpful.
Five Stars
By Chung Choon Soo
Surprisingly hilarious!
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