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The Sarasota School of Architecture, 1941-1966, by John Howey
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The years: 1941 to 1966. The place: Sarasota, Florida. The story: a sudden burst of fresh, innovative houses by a group of Americans who caught the imagination of the international architectural community.
Inflected by local climate, construction practices, regional culture, and Florida life-style, the work of the Sarasota school of architecture -- founded by Ralph Twitchell and counting Paul Rudolph, Mark Hampton, Victor Lundy, and Gene Leedy among its practitioners -- marks a high point in the development of regional modernism in American architecture.
Although the Sarasota school wasn't a consciously organized movement, it was an important chapter in American modernism that, unlike the earlier Bay Area school and Chicago school, has received little study or published scholarly treatment. John Howey, who practices architecture in the region, provides the first solid documentation of the Sarasota group's designs and theories. He has interviewed all of the surviving architects and original clients and has included a rich archive of photographs by Ezra Stoller, Alexandra Georges, and others whose views, particularly of the houses built between 1950 and 1960, gained world-wide exposure when they were first published forty years ago.
Howey first investigates the early influences on the Sarasota group, particularly of Frank Lloyd Wright in Florida. He then discusses such pivotal events as the opening of Ralph Twitchell's office in 1936 and the arrival of Paul Rudolph in 1941. Later chapters illustrate the effect of World War II on the Sarasota architects; early postwar successes of Twitchell and Rudolph; the influences of the Bauhaus and International Style; the tendency of various Sarasota architects to create their own design directions the arrival of Victor Lundy in 1954; the effect of changing economic, social, and political agendas on Sarasota's culture; and the philosophy and results of the Sarasota school.
- Sales Rank: #1397700 in Books
- Published on: 1997-05-09
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .40" w x 8.50" l, 1.49 pounds
- Binding: Paperback
- 224 pages
Review
The essays are fascinating, the authors well known, and the content relevant to architectural historians, authors, writers, critics, and students.
(Library Journal)This excellent book makes a strong case for a renewed appreciation ofregional modernism.
(Erika Belsey Art New England) From the Back Cover
The years: 1941 to 1966. The place: Sarasota, Florida. The story: a sudden burst of fresh, innovative houses by a group of Americans who caught the imagination of the international architectural community.
About the Author
Michael Sorkin is the principal of the Michael Sorkin Studio in New York City. He has taught at a number of schools of architecture, including Cooper Union, Columbia, Yale, Harvard, and Cornell.
Most helpful customer reviews
21 of 21 people found the following review helpful.
GOOD Mid-Century Modernism
By Edward J. Shannon, ArCH
This is the story of a group of talented young architects who were in the right place at the right time. The time (1946-66) was when America was in a building boom, the public wanted fresh, clean designs. Sarasota was a growing town and Modern Architecture was going to change the world. The Father of it all was an architect named Ralph Twitchell. In 1940 Twitchell hired a young intern architect named Paul Rudolph. Rudolph would go onto Harvard GSD, serve in the Navy and return to Sarastoa in 1946, and then become Twitchell's partner in 1950. The two of them, with a group of other talented architects (most notably Victor Lundy) would go on to design some extraordinary custom homes, churches and schools. Their architecture stressed the tectonic (the use of new technologies). Although the Sarasota aesthetic was in similar vein to the California post- war architecture, it also was heavily derivative of a Florida vernacular architecture. Rudolph's early philosophy stressed five points: the Clarity of construction; Maximum economy of means; Simple overall volumes penetrating vertically and horizontally; Clear geometry floating above the Florida Landscape; Honesty in details and in structural connections. It is always a treat to see his pen and ink renderings. A must for the serious student of modernism.
13 of 13 people found the following review helpful.
Architects who flew too close to the sun
By Michael S. McGill
John Howey does an excellent job of connecting the place, the time, and the influence of Frank Lloyd Wright and Walter Gropius, to explain the development and evolution of a fine group of architects who practiced in Sarasota beginning in the 1940s, and a few of whom remain even today. While he ends his book on a down note, the book itself and the hard work and dedication of the Sarasota Architectural Foundation have resulted in a revived interest in the work of these architects. Hopefully, efforts to save and restore their surviving masterworks will succeed, despite the forces of McMansionization at work in Sarasota.
0 of 0 people found the following review helpful.
The Authoritative Volume of the Sarasota School
By Gary Roberts
Although a coined expression, "the Sarasota School" is deserved of a chronicling. John Howey has done a masterful job of capturing the spirit of this area's architectural movers and shakers from the 1940s through the the 1960s or thereabouts. The book profiles the significant architects and the not so significant wannabes that skated along on the coat tails of the greats. Chances are, if John Howey had not documented school of thought and philosophy, no one else would have. This is the authoritative volume on a group of individual architects located in the very specific place of Sarasota, Florida and its connection to the much broader Mid-Century Modernism Movement that swept the country.
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