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Heloise and Abelard, by Etienne Gilson
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- Sales Rank: #3942888 in Books
- Published on: 1951
- Number of items: 1
- Binding: Hardcover
- 194 pages
Most helpful customer reviews
18 of 25 people found the following review helpful.
This is a real historical detective story
By Neri
The writer of Medievel mysteries Umberto Eco, after seeking his counsel, called Etienne Gilson an "Illustrious medievalist... dear and unforgettable" (quoted from the intro of the book "The Name of the Rose"). Well, Etienne Gilson, in this book, "Heloise and Abelard" sets out to solve a real mystery set in medieval times; that of the intricacies of love, an unplanned pregenancy, and the resultant problems (Abelard ,was castrated (but two of his assailants were, under Christian justice at the time, given the same treatment, as well as having their eyes gouged out)). Gilson in the manner of detective and psychologist, as well as historian, attempts to deal out justice as well as look inside people's hearts, and discover their true intents (which he admits in the end, God only knows). The true story of Heloise's love for Abelard is one of the most endearing ever told and something that many medievalists tinker around with (including Heiko Oberman) Abelard was on superstar status, in his day, as a professor of theology and philosophy in age where students had much more leeway to choose their teachers and professors were paid by the number of students they had; Abelard was so popular he had to hold classes outside. Part history, part philosophy (or history of philosophy), and Gilson takes some liberties at psychologizing a bit. If you like Umberto Eco you might like this book as well, but read about them on the internet or in an encyclopedia before you start, if you know nothing about them, as Gilson gets right into the detectiving with little background details. There are all kinds of devious and/or devoted monks that Abelard must contend with, like the monks in Umberto Eco's stories.
Favorite quotes, from the book:
"Their appeal (Heloise and Abelard's) is to a system of ethics which separates the order of acts from the order of intensions(65)."
"They both played the comedy of sanctity(53)."
"What is a husband but a domesticated beast of burden"(31, Gilson quoting Theophratus).
Some interesting words on marriage, death, love, loyalty, wisdom, sorrow, and providence are also expounded on. Gilson (despite Heiko Oberman in his book "Dawn of the Reformation" placed Gilson, with the name of Arnold Toynbee, as an arbitrary period in history making sophist) clearly states, in the last chapter, that separating the medieval times with the Renaissance -- especially given what huge a word renaissance entails and the disparaging implications for the time previous -- points out the silliness of such a word as Abelard and, especially, Heloise have many "Renaissance" charatoristics despite belonging to the Medieval age.
Some of the writing is superfluous, as Gilson repeats himself longwindedly. Also Gilson seems to be inconsistent in the final pronouncement upon whether Abelard submitted his soul's salvation to Heloise's prayers or the joy of sacrifice to God.
0 of 0 people found the following review helpful.
Fascinating analysis of the famous affair and its subsequent interpretation
By Joseph M. Reninger
One of the most famous romantic tragedies of the Middle Ages was also a historical event--the relationship of Heloise and Abelard. Abelard was a philosopher and theologian teaching in Paris during the early 1100s. He had a towering intellect with an ego to match. His career was highly successful and occasionally controversial. He was hired by Fulbert to teach his niece Heloise. She had private lessons in Fulbert's house and the thirty-something Abelard fell in love and had an affair with the teen-aged Heloise. She was a brilliant student even before coming under Abelard's influence. When Fulbert found out about the affair, he had them separated. Heloise and Abelard continued to meet in secret. She became pregnant and went to Brittany to have the child in the home of Abelard's sister. Abelard proposed a secret marriage (kept secret to preserve his intellectual career) to appease Fulbert. Heloise objected but finally consented. Fulbert did not want it kept a secret so he announced the marriage after it happened. Abelard sent Heloise to a convent to free her from the influence of her uncle. Fulbert took this a a rejection of Heloise and had some men break into Abelard apartment at night and castrate him. Abelard decided to become a monk and argued Heloise into becoming a nun at the convent. She still pined for his love and was uncomfortable in her role as a nun and eventually an abbess. They exchanged several letters which are the primary source for their story.
Gilson draws on these letters to give not so much the history of Heloise and Abelard but a sense of them as two people swept up in their passion for learning the classics (they were as fond of Roman Stoics as of Christian writings) and for each other. Heloise realizes that, in order to be a great man of letters like Seneca of St. Jerome, Abelard needs to be chaste and focused on his intellectual work. She objects to marrying since that will certainly hurt his academic career, not so much for causing scandal or limiting his clerical options, but for creating other responsibilities that will consume his energy and time. He seems to want it both ways--to be married but not admit it in public so as to let him advance his career. His ego lets him think it will work and he persuades her to accept his judgment. When things turn out poorly, he has a change of mind and heart which causes anguish and strife for both of them.
Gilson does a great job describing them as persons. He also spends quite a while debunk others who have written about the pair from the historical-critical method, casting doubts on the authenticity of the letters. Theories range from "the letters were substantially rewritten" to "the letters were created afterwards." Gilson argues ably and interestingly against these theories, though the arguments are a bit dry and academic. They are important, however, from the viewpoint of trying to know Heloise and Abelard as they were themselves, rather than as readers would like them to be.
This book is an interesting read and makes me want to read the original letters, along with Abelard's Historia Calamitatum, which also describes the events.
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